The Last Judgment c.1467-71

By Hans Memling

Memling’s interpretations of the Last Judgment are very clear in this painting.  Memling like Van Leyden has separated the story of the judgment into three different panels.  The center panel is the panel of the judgment.  The panel to Jesus’ right is heaven, and the panel to Jesus’ left is hell.  Heaven is represented as an actual kingdom, and hell is represented as a dark and fiery mess.  What sets this piece apart from the other paintings is the presence of the intermediary angel that seems to be in the middle of Jesus casting judgment upon mankind.  In the text The Apocalypse of Peter This angel is mentioned. “The angel of God, Ezrael, allows themt o come forth out of this fire and sets forth a judgment of decision.” This may not be the angel that Memling is depicting; however, he has included the presence of an intermediary angel between God and the humans. 

  This painting is extremely naturalistic.  Jesus looks like a Middle Eastern man which is historically accurate according to where he was from.  The people being judged do not look completely different from each other, but their bodies and the modeling used are believably human.  The expressions on the faces of the people are also believable.  They look on in amazement at Jesus and the judgments that are being cast upon them.  There is true suffering on the faces of those who are being sent to hell for eternity.  Their bodies are just stretched and posed in such suffering in the pits of hell.  It is fearful for the viewer to see this extreme destruction that comes with the judgment. 

  The image of Jesus is important in this piece as well.  Like Leyden’s piece Jesus lacks the mandorla and halo, but he sits upon the golden crescent.  He too next to his head has the fig branch and the sword which are very symbolic of peace and destruction.  The facial expression and otherwordliness of Jesus also adds to his divinity.  He floats above everyone else suggesting his being supernatural, and his face is far from compassionate.  He looks like a frightening, and serious Jesus; setting him apart from the human aspects of Jesus.  What brings Jesus to a human level is that he is in the flesh.  He is depicted as a human man, despite all his divinity.

  Like the other paintings this is the artists own impression of the Last Judgment.  It does include the ideas of separation of heaven and hell, and the judgment that will occur which is accurate of the texts.

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JESSICA SAUNDERS